According to psychologists, the human mind is fascinated by inaccessible or unfathomable things. By empathizing with and taking on the perspectives of the protagonists or antagonists of a fantasy novel or film, viewers can live vicariously through a more engaging and exciting version of their favorite stories. According to research, individuals prefer fiction to reality because fiction tends to be an exaggerated portrayal of everyday events. In contrast, the reality is often fraught with pain and despair and is often predictable. The average man's unfulfilled hopes and goals can be satisfied through fantasy, which is accomplished through a medium that is often helpful to the mind and heart.
Regarding literary siblings, reality and fantasy are more like stepbrothers than blood relatives. Whether a work of fiction or nonfiction, the presentation and writing style of the author are what draw the reader in and allow them to relate to the characters. People's imaginations are unleashed by fantasy, and it opens the door to a world so distinct from the reader's own that they cannot help but want more. We can finally understand why kids would rather read a fairy tale than a news report.
Fantasy, as we know it now, is just about two centuries old, yet its roots go back to antiquity. Tolkien goes back even further, through Norse mythology, Anglo-Saxon tales, and Arthurian myth, to find the origin, while others, like Zipes, look to fairy tales. As a result of these factors, fantasy has developed. From Gilgamesh to Homer's Odyssey, ancient literature is rife with fantastic elements. The key difference is that these books were taken seriously as historical accounts when they were first published.
For ancient peoples, the existence of magic and other supernatural forms was accepted. The purpose of these earliest works was to excite, instruct, and amuse; in certain cases, they were also meant to persuade, control, and impress (Matthews, 2005).
Contemporary fantasy, also called "indigenous fantasy," takes place in the present. Urban fantasy is the most popular. Everything in urban fantasy novels is fiction. Modern urbanites think about the extraordinary and otherworldly. Fictional elements and past, present, or future settings are a possible present-accepted reality, where magic and enchanted beings exist on the borders of our world or bleed over from alternate realms. Only consensus and reality matter. The spectacular is unexplained and outside our normal experience. Fantasy stories are fiction.
Flying cars and interstellar getaways are today's fantasy reading. Authors must suspend disbelief to succeed. These tales focus on good and evil. Fantasy readers can create new worlds. It inspires readers to relate to his fictional circumstances.
Literary realism works and their criticism shows that reality is subjective. Modernists believed reality was relative and could not be known. Knowable or communicative, but just relative and not identical. This challenged the prevalent view of reality as conceivable, knowable, verifiable, and communicable. Realism accurately depicts reality and can symbolize any everyday occurrence between the middle and lower classes (most individuals are not "upper class"). Literary realism refers to reality.
Literary realism represents reality, while fantasy fiction constructs its universe. Literary realism assumes a set of real-life laws outside of fiction. As readers, we perceive literary realism as "real life." Realism is often defined as the "highest verisimilitude." This notion typically characterizes literary realism.
Although it covers a wide spectrum of subtle ideas, all magical realist works share an acceptance of magic within a rational framework. It integrates fantastical or implausible aspects into a seemingly mundane setting. Magic realism is "what happens when a highly detailed, realistic scene is invaded by something too unusual to accept," as defined. The term "magical realist" is often used to describe various authors and their works, which only serves to further muddy the waters. Salman Rushdie and Alice Hoffman are some of the most well-known people in English literature who support it.
The goal of magical realism, which is more of a writing style than a genre in and of itself, is to capture the paradox of the union of opposites. For instance, it questions the validity of dichotomies between such concepts as life and death and colonial and industrial eras. Two opposing viewpoints define magical realism: one grounded in realism but open to the supernatural, and the other grounded in skepticism but accepting the extraordinary as part of everyday life.
We are used to this reality, even if we see it differently now, not just because we are awake. A new style that honors every day has been shown to us. In the present conception of realism, this new world of objects is still foreign. It uses several methods to unveil the hidden mysteries that have always disturbed the peace of straightforward ingenuity. This work of art provides a serene appreciation for the wonder of existence and the revelation that objects already have faces of their own. This means that, albeit in different ways, the soil on which the world's most varied ideas might flourish has been reclaimed.
The idea that reading fiction was a way to escape reality was widespread, and nothing could be further from the truth. The truth is that imagination is a means of addressing real-world issues. The battle of good over evil is where the truth lies. We can relate to the drama unfolding there and the struggle against the evil force. Everyone likes it when the underdogs and the good guys win because they represent what they hope for themselves. This epic struggle's development serves as a reminder of the superiority of good and the ugliness of evil.
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